Luister Magazine shares glowing review of “Jacqueline”

Ahead of its imminent Portland remountJacqueline (released via the PENTATONE Oxingale Series) has received yet another stellar review, this time in Luister Magazine. Read the review below, or in the original Dutch here.

Woolf: Singing and playing as perfect dialogue

15 July 2025

It’s been a while since a modern opera pleasantly surprised me, but Luna Pearl Woolf has succeeded with Jacqueline from 2019. The title refers to cellist Jacqueline Du Pré and the work breaks down into four resounding movements: 1. Star Birth; 2. Super Nova; 3; Meteorite; 4. Impact. In a kaleidoscope of emotional moments from an eventful life in which her early fame from the age of twenty-six was accompanied by the multiple sclerosis that ate away at her bit by bit. It is a tragedy that effortlessly rivals Callas’.

Royce Vavrek’s beautifully crafted libretto effectively switches between emotions, artistic key moments, memories and the ‘why?’ question. In the process, Woolf provides brilliant accompaniment by one fulminant cello. All this in a feverish monologue, in which voice and instrument are turned inside out. No emotion is left untouched, no element of Du Pré’s art is skipped in the cello line. Had she been able to play it herself, she would have done no better than Matt Haimovitz. Soprano Marnie Breckenridge throws herself into the music with supreme focus and a surfeit of voice and expression. But the strength of the performance lies in the balance between spot-on technique and an unerring sense of dramatic rhythm in this tombola of emotions. Never does either go overboard, always the playing and singing are in perfect dialogue. Even better, it also lasts only an hour and twenty-five minutes on two CDs. That keeps it exciting right to the gripping end. So even within conventional music, a brilliant opera could still be composed that adds something to the repertoire. Gorgeously published by Pentatone [Oxingale Series], with a brilliant booklet revealing the plot, clear explanations, the libretto and powerful photos of the performance.

OrpheusPDX announces production of “Jacqueline” in August 2025

Jacqueline is headed to Portland, Oregon in August!

OrpheusPDX has just announced what will be the fourth production of Luna Pearl Woolf’s Jacqueline. Opening August 23rd, soprano Marnie Breckenridge and cellist Matt Haimovitz will reprise their roles in this celebrated work. As quoted in the Portland Tribune, general and artistic director Christopher Mattaliano of OrpheusPDX notes that Jacqueline is “truly taking the opera world by storm”. He continues, “It is a hauntingly beautiful piece that stays with you long after the performance ends.”

Learn more at orpheuspdx.org!

The reviews are in for Tapestry Opera’s “Jacqueline” remount!

Opening to a full house on February 20th, Tapestry Opera‘s remount of Luna Pearl Woolf’s Jacqueline has been unanimously praised by critics. Read the glowing reviews below!

“I had a lump in my throat five years ago, and I had a lump this time around. A heart wrenching end to Jacqueline.”
Ludwig Van Toronto: Tapestry Opera’s Jacqueline Remains Emotionally Powerful Theatre in Welcomed Return

“…as vibrant and shimmering as ever, probing deep into the intensity of experience and emotion that was du Pré’s life.”
Opera Going Toronto: Jacqueline Rejoined

“It’s impossible to overstate the privilege to witness the performances from Breckenridge and Haimovitz. The depth of emotional energy that pours out over just under two hours is such that I can only be astounded at how the two of them can summon the fortitude for repeated performances.”
Opera Canada: Tapestry Opera – Jacqueline

“One should truly see this production twice: once to solely focus on Breckenridge and the story, and another to purely watch Haimovitz and his moving cello.”
A View from the Box: Tapestry Opera’s Jacqueline

Opera Ramblings: Jacqueline Redux

Luna Pearl Woolf discusses “Jacqueline” in radio interviews with WRUU, KVMR, KGPR, and WWFM

We are thrilled to share some fantastic, recent live interviews with Luna Pearl Woolf where she shares the inspiration behind Jacqueline and its highly collaborative creative process. Give them a listen!

WRUU: Contemporary Classics – October 22nd
featuring Luna Pearl Woolf and Royce Vavrek

KVMR: Classics Declassified – November 3rd with Mark Vance
featuring Luna Pearl Woolf

KGPR: Classical Journey – November 16th with Matt Donnelly
featuring Luna Pearl Woolf

WWFM: Cadenza – January 9th with David Osenberg
featuring Luna Pearl Woolf

Jacqueline will be seen on stages in Toronto and beyond in 2025.

Reviews for “Jacqueline” from BBC Music, The WholeNote, PANM360 and more

In addition to Jacqueline‘s highly anticipated return to Toronto, PENTATONE‘s recent release of Breckenridge and Haimovitz’s recording of this exceptional work has garnered praise from listeners worldwide. Glowing reviews and features can be found in BBC Music Magazine, The WholeNote, Opera Wire, San Francisco Classical Voice, PANM360, The Violin Channel, and The Flip Side.

Jacqueline is released via PENTATONE’s Oxingale Series and is available for purchase and streaming.

Luna Pearl Woolf’s “Jacqueline” released via PENTATONE Oxingale Series

The highly anticipated recording of Luna Pearl Woolf and Royce Vavrek’s Jacqueline has been released via our friends at PENTATONE. The latest in the PENTATONE Oxingale Series, Jacqueline features Marnie Breckenridge and Matt Haimovitz, and was released to critical acclaim in October 2024.

Stream Jacqueline now, or purchase the box set with full libretto via PENTATONE, Amazon, or wherever you get your CD’s.

Tapestry Opera announces “Jacqueline”, by Luna Pearl Woolf and Royce Vavrek, as part of their 2024/2025 season

We’re thrilled to announce that Tapestry Opera will be remounting Luna Pearl Woolf and Royce Vavrek’s opera, Jacqueline, in February 2025. Matt Haimovitz and Marnie Breckenridge will be reprising their roles in the remount following an immensely successful run at West Edge Opera this past summer.

Tickets and more information available here.

The Betty Oliphant Theatre – 404 Jarvis St, Toronto, ON
February 20-23, 2025

Music by Luna Pearl Woolf
Libretto by Royce Vavrek
Dramaturgy and Direction by Michael Hidetoshi Mori

West Edge Opera Announces “Jacqueline”, by Luna Pearl Woolf and Royce Vavrek, as part of their 2024 summer festival

Press Contact: Emilie Whelan | Director of Advancement | emilie@westedgeopera.org

WEST EDGE OPERA ANNOUNCES JACQUELINE, BY LUNA PEARL WOOLF AND ROYCE VAVREK AND STARRING MARNIE BRECKENRIDGE AND MATT HAIMOWITZ, AS A PART OF THE SUMMER FESTIVAL 2024 AT THE OAKLAND SCOTTISH RITE CENTER
 
Jacqueline completes the 2024 season, presented alongside the world premiere of Nathaniel Stookey and Eisa Davis’ Bulrusher, and an action-packed single evening of Wagner’s Legend of The Ring
 
2024 West Edge Opera Summer Festival
The Oakland Scottish Rite Center August 3rd – 18th

Continue reading “West Edge Opera Announces “Jacqueline”, by Luna Pearl Woolf and Royce Vavrek, as part of their 2024 summer festival”

Montreal Gazette | Montreal classical composer got long COVID, then a Grammy nomination

Fire and Flood is a deliciously adventurous collection that Woolf refers to as a “composer portrait.”

By T’Cha Dunlevy March 25, 2021

Composer Luna Pearl Woolf in her home studio in Outremont. Her album Fire and Flood was nominated for a Grammy Award for best classical compendium. PHOTO BY JOHN MAHONEY /Montreal Gazette

Luna Pearl Woolf caught COVID-19 on March 10, 2020, at a charity concert and dinner during a two-day trip to New York. One year and four days later, the Montreal composer was a first-time nominee at the 63rd Grammy Awards, where her album Fire and Flood was up for best classical compendium.

Continue reading “Montreal Gazette | Montreal classical composer got long COVID, then a Grammy nomination”

The New Yorker | When Your Muses Are Leonard Cohen and Bernie Madoff’s Wife, Ruth

Luna Pearl Woolf’s Grammy-nominated classical album features a chorus of cruel laughter and other un-calm sounds.

By Anna Russell

March 15, 2021

When Luna Pearl Woolf, a composer of distinctively unsleepy classical music, first moved to Montreal, she liked to listen to Leonard Cohen in her car. Woolf lives on the north side of Mt. Royal, a fifteen-minute walk to Cohen’s grave, and she used to climb the hill to visit it often. “People leave little gifts, little hearts and stones,” she said the other day. Last March, Woolf was dealt a bum hand: long covid. She picked up the virus at a benefit in New York—“one of these big charity things, where there’s ten people at a table and it’s so loud you’re leaning in”—and still has symptoms. If her heart rate gets too high, she has to stay in bed for days. Still, Woolf has written thirty-five minutes of music in the past year, none of it calming. “I really feel like music exists on this plane of emotion and conflict and intensity that’s very hard to capture in normal life,” she said. “Which is to say, I don’t particularly write music that’s good for relaxing.”

Continue reading “The New Yorker | When Your Muses Are Leonard Cohen and Bernie Madoff’s Wife, Ruth”