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OPERA-L: The Washington Chorus “New Music for a New Age” features the fabulous music of Luna Pearl Woolf

Oxingale Records

12472551_10153312822265877_8573125744741823225_n-1March 1, 2016

On Sunday our dear friend, tenor Jonathan Blalock was in town as a soloist with the Washington Chorus at the National Presbyterian Church just up the street from our home, and we had to attend. The fact that the program was dedicated to new music and specifically the works of composer, Luna Pearl Woolf, who just had such a huge success with her world premiere of BETTER GODS at Wash Natl Opera made it even more of a treat.

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La Fabrique Culturelle TV: Cordes et discorde

Oxingale Music

06 May 2016

Watch a four minute video of Luna Pearl Woolf’s 12 May 2016 Triptyque program at the Salle Bourgie, Montreal Museum of Fine Arts from La Fabrique Culturelle TV. The program features Mélange à trois, One to One to One, and Rumi: Quatrains of Love.

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BroadwayWorld Review: BETTER GODS Soars at the Kennedy Center

Oxingale Music

January 11, 2016

“Ms. Woolf’s gorgeous score is underlined by the use of traditional Hawaiian chants and her score utilized authentic instruments like the nose flute, Kala’au (percussive sticks), and Ili’ili (castanets), that are native to the island.”

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DC Metro Theater Arts: Review: ‘Better Gods’ at The Washington National Opera

Oxingale Music

January 9, 2016

“Woolf’s new and original composition uses Hawaiian instruments to add an audible authenticity to the story. Throughout the opera the nose flute, Kalaʻau (warrior sticks made from strawberry guava trees), and ʻIliʻili (stone castanets) amplify the sadness and desperation of the Queen to maintain Hawaii’s culture.”

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ConcertoNet: December Celebration – New Carols by Seven American Composers

Oxingale Music

07 December 2015

“…in Luna Pearl Woolf’s How Bright the Darkness, an impressively vivid piece for women’s choir, baritone solo, strings, percussion, and harp. Woolf’s orchestration and harmonies paint the sparseness of nature. It is a piece where the listener can actually hear the sounds of nature on the darkest day, the solstice.”

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San Francisco Classical Voice: Lisa Delan Recital A Pure Delight

Oxingale Music

Lisa Delan

February 15, 2015 

Lisa Delan’s performance Wednesday evening at the San Francisco Conservatory of Music was billed as part of the Alumni Recital Series. But inside the SFCM’s comfy Sol Joseph Recital Hall, it felt more like a visit to the homes of the five composers — four of who were smilingly seated in the small audience — with soprano Delan serving as the friendly, fascinating, attractive and — did I forget ‘talented’? — hostess.

Luna Pearl Woolf, the first up of those composers, was flanked in the fourth row by the children she parents with cellist Matt Haimovitz, there on stage with pianist Christopher O’Riley to accompany the world premiere of his wife’s Rumi: Quatrains of Love, which opened a program that in several ways also served as an early run-up to Valentine’s Day. Delan, in fact, was dressed in a bright red ruffled dress, as she vocalized…

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Mountain Lake, PBS: Mélange à Trois

Oxingale Music

May 17, 2014

MÉLANGE À TROIS is an instrumental theater work, set for violin, cello and percussion. In this voiceless opera, each musician embodies a character in an enchanting tale of misplaced love. MÉLANGE À TROIS is an instrumental theater work, set for violin, cello and percussion. In this voiceless opera, each musician embodies a character in an enchanting tale of misplaced love.

After first hearing Krystina Marcoux’s fiery, solo performance of Jennifer Higdon’s Percussion Concerto back in 2013, it was with a lot of anticipation that I attended Luna Pearl Woolf’s original voiceless opera Mélange à Trois with the BIK ensemble last Friday, May 16th at McGill University’s Pollack Hall.

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