…The concert opened with After the Wave by Ms, Woolf. It started with a lone, faraway trumpet, answered from a seemingly great distance by oboe and English horn, that most desolate sounding of wind instruments…Swelling surges of strings and brass crashed and broke on the senses, at turns meditative and anguished, moaning of irredeemable loss…
|The composer John Luther Adams who won the 2015 Pulitzer Prize for Become Ocean.
St. Paul’s Chapel, located in the long shadow of the World Trade Center is one of the oldest and most historic churches in New York. On Thursday afternoon, the last matinee concert of the annual music series sponsored by Trinity Church featured another historic occasion: the second New York pperformance of Become Ocean, the 2015 Pulitzer Prize-winning composition by John Luther Adams. This concert, featuring contemporary orchestra Novus NY under the baton of Trinity Church maestro Julian Wachner, paired Mr. Adams’ creation with works by contemporary composers Luna Pearl Woolf and Jessica Meyer. All three composers were in attendance. Continue reading “Superconductor: Concert Review: Let Me Drown. Novus NY plays Become Ocean.” →
May 19, 2017
…From the first few stark, distantly enigmatic notes of Luna Pearl Woolf’s After the Wave, …it was clear that Julian Wachner’s fearlessly eclectic ensemble had come to deliver a message…a flood of low tonalities and bracing close harmonies as haunting as anything in Adams’ work…
What’s the likelihood that the two opening works on a program featuring John Luther Adams’ Become Ocean would hold their own alongside that epically enveloping, meticulously churning, playfully palindromic masterpiece? It happened yesterday at St. Paul’s Chapel downtown, where Novus NY delivered a mighty coda to this season’s program of music on themes of water justice, staged by Trinity Church.
The pervasive cynicism that still exists at corporate rock concerts has roots in the classical world: “Let’s warm up the crowd with something short and random and then get down to business.” From the first few stark, distantly enigmatic notes of Luna Pearl Woolf’s After the Wave, a portrait of the 2004 Indonesian tsunami and its aftermath, it was clear that Julian Wachner’s fearlessly eclectic ensemble had come to deliver a message. With just the hint of foreshadowing, the methodical pulse of daily routine gave way to a flood of low tonalities and bracing close harmonies as haunting as anything in Adams’ work. From there the orchestra made their way through an unexpectedly triumphant latin-tinged fanfare of sorts, up to a conclusion that signaled triumph and recovery over an ocean of devastation. Continue reading “New York Music Daily: Vast, Intricate, Awe-Inspiring Oceans of Sound Downtown” →