…perhaps best summarized as an opera aria for cello, entangling a dramatic theatricality and an erotic intimacy between instrument and performer(s). — a striking image about music and our acoustical relationship to it through the innateness of deeply felt rhythmic vibration, elucidating our permanent entanglements with such deeply intimate musical experiences…
This past Friday night was a truly special one for Calgary’s new music community and a milestone for the city’s arts community as a whole. Land’s End Ensemble hosted internationally-renowned percussionist Dame Evelyn Glennie its 20th Anniversary Celebration at the Bella Concert Hall, Mount Royal University, in a wrap-up recital of epic proportions capping off the new hall’s exciting début series.
The sold-out concert was the month’s hottest ticket in town, featuring percussion-themed premieres of no less than six new compositions specially written for Glennie by Allan Gordon Bell, Luna Pearl Woolf, Omar Daniel, Derek Charke and Vincent Ho, the ensemble’s artistic director and concert curator.
Continue reading “Calgary Herald: New Music review: Evelyn Glennie and Land’s End Ensemble provide spectacular evening of six premieres at the Bella”