Calgary Herald: New Music review: Evelyn Glennie and Land’s End Ensemble provide spectacular evening of six premieres at the Bella

By STEPHAN BONFIELD

…perhaps best summarized as an opera aria for cello, entangling a dramatic theatricality and an erotic intimacy between instrument and performer(s). — a striking image about music and our acoustical relationship to it through the innateness of deeply felt rhythmic vibration, elucidating our permanent entanglements with such deeply intimate musical experiences…

This past Friday night was a truly special one for Calgary’s new music community and a milestone for the city’s arts community as a whole. Land’s End Ensemble hosted internationally-renowned percussionist Dame Evelyn Glennie its 20th Anniversary Celebration at the Bella Concert Hall, Mount Royal University, in a wrap-up recital of epic proportions capping off the new hall’s exciting début series.

The sold-out concert was the month’s hottest ticket in town, featuring percussion-themed premieres of no less than six new compositions specially written for Glennie by Allan Gordon Bell, Luna Pearl Woolf, Omar Daniel, Derek Charke and Vincent Ho, the ensemble’s artistic director and concert curator.

Continue reading “Calgary Herald: New Music review: Evelyn Glennie and Land’s End Ensemble provide spectacular evening of six premieres at the Bella”

La Fabrique Culturelle TV: Cordes et discorde

Oxingale Music

06 May 2016

Watch a four minute video of Luna Pearl Woolf’s 12 May 2016 Triptyque program at the Salle Bourgie, Montreal Museum of Fine Arts from La Fabrique Culturelle TV. The program features Mélange à trois, One to One to One, and Rumi: Quatrains of Love.

View original post 293 more words

Mountain Lake, PBS: Mélange à Trois

Oxingale Music

May 17, 2014

MÉLANGE À TROIS is an instrumental theater work, set for violin, cello and percussion. In this voiceless opera, each musician embodies a character in an enchanting tale of misplaced love. MÉLANGE À TROIS is an instrumental theater work, set for violin, cello and percussion. In this voiceless opera, each musician embodies a character in an enchanting tale of misplaced love.

After first hearing Krystina Marcoux’s fiery, solo performance of Jennifer Higdon’s Percussion Concerto back in 2013, it was with a lot of anticipation that I attended Luna Pearl Woolf’s original voiceless opera Mélange à Trois with the BIK ensemble last Friday, May 16th at McGill University’s Pollack Hall.

View original post 360 more words